Wednesdays are rough - colloquially referred to as the hump day of the week, it's usually a relatively unexciting day. Regardless of how your Wednesday is going (flying by or dragging on), there's at least one piece of exciting news for this day. For New Yorkers, this is the day of the week that each new Village Voice is released!
A free publication like AM New York and the Metro, the Village Voice is well known around the New York City. It may not have the daily crosswords and sudokus to keep you occupied like the free daily publications, but it IS a great guide to the arts scene of the city. While the other free publications do offer some city guides and upcoming events, the Village Voice should be your go-to guide if you're looking for a unique event. They break up their offerings into different sections such as Music, Dance, Art, Movies, and Food, and they talk about new openings, one time events, and ongoing offerings. Each issue has listings of events for the coming week, as well as numerous reviews.
I'm very fond of the Village Voice - it has entertaining news articles, and has always paid a fair amount of attention to the city's dance scene even when other papers would only allow a column for all of the dance events and reviews. Some of their classifieds and ads may be a little seedy at times, but this paper is an excellent guide to what you should attend each weekend (or even during the week!). So, if you're not sure what to see or do one day and I haven't posted anything to your liking recently, pick up a copy of this publication on a nearby street corner. It's free and always worth flipping through - it focuses on a lot of the downtown scene, but includes events throughout the city. You can also visit it online and find more information on upcoming events, reviews, and headlines.
Wednesday, August 18, 2010
Sunday, August 8, 2010
Mad Decent Block Party
Yesterday's weather was perfect: sunny, hot but not humid, and breezy. So instead of sitting in my apartment all day and cleaning as I should have done, I decided to venture out into the city in search of adventure. I had heard about a block party being put on in South Street Seaport, so I braved the dysfunctional weekend schedule of the 4/5 trains and headed downtown to meet a friend and check it out.
Upon arrival to the block party hosted by Mad Decent, some sort of indie rock band was playing on a stage, surrounded by a dancing crowd and several beer and merch booths. The scene quickly shifted as Ninasonik took the stage. The rest of the lineup consisted of great DJs and acts such as Major Lazer, Bosco Delrey, DJ Sega, and Maluca. Most of the artists were Brooklyn-based, and there were also numerous special guests within each set - at least in the half of the block party that I witnessed, having arrived quite late into the event.
Although not every act was dynamite, I would definitely describe the event as mad decent. Several of the artists were incredibly engaging, and by the end everyone was definitely dancing. There was also singing along, professional hip hop dancers on the stage, and a bit too much crowdsurfing and crowd members trying to jump up on the stage. Although the crowd was a little obnoxious at times, probably due to the large quantities of beer sold and lax security, it was definitely a great way to spend a Saturday afternoon. The scene, mostly full of dance and club music, seemed a little out of place in the classy South Street Seaport, but the breeze from the water and the enthusiasm of the performers was infectious and fun to witness. The night ended with being sprayed by multiple champagne bottles and getting shut down before Maluca could perform her hit El Tigerosa, but that's what you get for a rowdy crowd and a free event.
If you have other plans, I wouldn't suggest rearranging your life to attend this block party next year, but it's definitely worth stopping by for if nothing else is going on. It's fun to dance, and you get an accurate representation of the music scene going on in New York - Mad Decent brings different acts to each of its block parties in order to celebrate the local flavor. So be on the lookout for next year's lineup once it's announced - it's not a bad way to spend a gorgeous day!
Upon arrival to the block party hosted by Mad Decent, some sort of indie rock band was playing on a stage, surrounded by a dancing crowd and several beer and merch booths. The scene quickly shifted as Ninasonik took the stage. The rest of the lineup consisted of great DJs and acts such as Major Lazer, Bosco Delrey, DJ Sega, and Maluca. Most of the artists were Brooklyn-based, and there were also numerous special guests within each set - at least in the half of the block party that I witnessed, having arrived quite late into the event.
Although not every act was dynamite, I would definitely describe the event as mad decent. Several of the artists were incredibly engaging, and by the end everyone was definitely dancing. There was also singing along, professional hip hop dancers on the stage, and a bit too much crowdsurfing and crowd members trying to jump up on the stage. Although the crowd was a little obnoxious at times, probably due to the large quantities of beer sold and lax security, it was definitely a great way to spend a Saturday afternoon. The scene, mostly full of dance and club music, seemed a little out of place in the classy South Street Seaport, but the breeze from the water and the enthusiasm of the performers was infectious and fun to witness. The night ended with being sprayed by multiple champagne bottles and getting shut down before Maluca could perform her hit El Tigerosa, but that's what you get for a rowdy crowd and a free event.
If you have other plans, I wouldn't suggest rearranging your life to attend this block party next year, but it's definitely worth stopping by for if nothing else is going on. It's fun to dance, and you get an accurate representation of the music scene going on in New York - Mad Decent brings different acts to each of its block parties in order to celebrate the local flavor. So be on the lookout for next year's lineup once it's announced - it's not a bad way to spend a gorgeous day!
Saturday, August 7, 2010
Paul Taylor's 80th Birthday Celebration
This past Thursday, I attended the Lincoln Centers Out of Doors performance series to see the Paul Taylor Dance Company (along with its second company, Taylor 2). When I attend dance performances, I'm always happy when there's a large crowd - and this was certainly the case for this particular show. I arrived half an hour early, trail mix and water bottle in hand, and ended up sitting on a ledge surrounding all the chairs in order to get the best view possible. Most of the chairs near the front of the stage were already full, and the crowd kept piling in. I wasn't too far away, and the angle from the ledges wasn't too bad... and I avoided all the body heat of the chair crowd! While waiting for the show to begin, my roommate and I made friends with a fellow ledge sitter who offered to let us borrow his binoculars occasionally throughout the show, which was very exciting. This just goes to show, be nice to the people around you and they might even help you out!
As the performance began, with the help of the percussion and brass band known as Asphalt Orchestra, I ran into a classmate who informed me that a recent graduate from our school had just joined the Taylor 2 company - so we remained on the lookout (with the binocular assistance, of course) for his stage appearances. The two pieces Taylor 2 performed were classics - the abstract 3 Epitaphs and the beautiful Esplanade.
Then the original company took the stage to perform three works - Airs, Syzygy, and Company B. Airs, similar to Esplanade, was characterized by more flowing movements and classical music accompaniment, whereas Syzygy was a more erratic, abstract piece to synthetic music. The final work, Company B, is one of my favorite Taylor works - performed to the stylistic voicings of The Andrews Sisters, this piece integrates social dance with modern dance to create a fun piece with undertones of war drama.
Throughout this amazing performance, it was easy to pick out one of the leaving dancers - a short blonde by the name of Julie Tice. She is breathtaking in Taylor's choreography, and she will be sorely missed - the flowers thrown and the standing ovation given at the end of the night showed just how much her artistry has been appreciated. The other company member retiring, Orion Duckstein, was also excellent along with the rest of the company, but Tice stood out throughout the night. It will be interesting to see how the new members of both the original company and Taylor 2 fit in - some of them have only been in rehearsal for two months, and already they are performing Taylor's classic works and executing them well, which bodes well for the companies.
The night ended with the crowd singing Happy Birthday to Paul Taylor to celebrate his 80th - and I can't imagine a better way to spend your birthday than seeing your company and work thrive. I can only hope that Taylor continues creating new works and training his company as he continues to age, because Thursday night's performance was excellent proof that both he and his company are alive and kicking! So check out their future performances - both companies tour frequently, but also perform at colleges such as Adelphi and at New York City Center in late February.
As the performance began, with the help of the percussion and brass band known as Asphalt Orchestra, I ran into a classmate who informed me that a recent graduate from our school had just joined the Taylor 2 company - so we remained on the lookout (with the binocular assistance, of course) for his stage appearances. The two pieces Taylor 2 performed were classics - the abstract 3 Epitaphs and the beautiful Esplanade.
Then the original company took the stage to perform three works - Airs, Syzygy, and Company B. Airs, similar to Esplanade, was characterized by more flowing movements and classical music accompaniment, whereas Syzygy was a more erratic, abstract piece to synthetic music. The final work, Company B, is one of my favorite Taylor works - performed to the stylistic voicings of The Andrews Sisters, this piece integrates social dance with modern dance to create a fun piece with undertones of war drama.
Throughout this amazing performance, it was easy to pick out one of the leaving dancers - a short blonde by the name of Julie Tice. She is breathtaking in Taylor's choreography, and she will be sorely missed - the flowers thrown and the standing ovation given at the end of the night showed just how much her artistry has been appreciated. The other company member retiring, Orion Duckstein, was also excellent along with the rest of the company, but Tice stood out throughout the night. It will be interesting to see how the new members of both the original company and Taylor 2 fit in - some of them have only been in rehearsal for two months, and already they are performing Taylor's classic works and executing them well, which bodes well for the companies.
The night ended with the crowd singing Happy Birthday to Paul Taylor to celebrate his 80th - and I can't imagine a better way to spend your birthday than seeing your company and work thrive. I can only hope that Taylor continues creating new works and training his company as he continues to age, because Thursday night's performance was excellent proof that both he and his company are alive and kicking! So check out their future performances - both companies tour frequently, but also perform at colleges such as Adelphi and at New York City Center in late February.
Monday, July 26, 2010
HBO Bryant Park Summer Film Festival
With all my summer craziness lately, I've forgotten to blog - but I haven't, luckily, forgotten to pay my bills. As I was sending in my last Time Warner bill, I noticed something exciting on the envelopes... free movies!
That's right. For once, Time Warner is doing something pleasant for New Yorkers! Time Warner is hosting the HBO Bryant Park Summer Film Festival, where movies are shown to the general public at Bryant Park after sundown. Similar to a drive-in movie, this is a unique way to see a movie - bring a blanket, some snacks, and a friend to check it out.
For anyone not yet familiar with the city, Bryant Park is located by 42nd Street and 5th Avenue. Much smaller than Central Park, Bryant Park is home to a skating rink and shops during the winter months, beautiful views and activities during the summer months, and is always accessible by the subway lines B, D, F, and M, and the nearby Grand Central lines 7, 4, 5, and .
Tonight is one of my favorite movies, Monty Python and the Holy Grail. Unfortunately I have to pass up going to see this particular installment of the festival, but coming up are more great movies such as Bonnie and Clyde, so I hope to be going soon and reporting back to you all!
That's right. For once, Time Warner is doing something pleasant for New Yorkers! Time Warner is hosting the HBO Bryant Park Summer Film Festival, where movies are shown to the general public at Bryant Park after sundown. Similar to a drive-in movie, this is a unique way to see a movie - bring a blanket, some snacks, and a friend to check it out.
For anyone not yet familiar with the city, Bryant Park is located by 42nd Street and 5th Avenue. Much smaller than Central Park, Bryant Park is home to a skating rink and shops during the winter months, beautiful views and activities during the summer months, and is always accessible by the subway lines B, D, F, and M, and the nearby Grand Central lines 7, 4, 5, and .
Tonight is one of my favorite movies, Monty Python and the Holy Grail. Unfortunately I have to pass up going to see this particular installment of the festival, but coming up are more great movies such as Bonnie and Clyde, so I hope to be going soon and reporting back to you all!
Monday, July 5, 2010
An Ode To Being Early
Yesterday was the Fourth of July, which is quite possibly my favorite of all holidays. As any pyrotechnic-loving American would, I traversed over to my local fireworks show. Being in Manhattan, I headed over to the West Side, where I watched the event last year. Instead of showing up late after work and fighting the cops to meet my friends who were scrunched onto the grass like last year, this year we planned ahead. We ended up on Pier 71 (near the cafe) by 6:30 or so where we had ample room, picnic supplies, blankets, and a phenomenal view. By showing up a mere two or three hours earlier, we had a breathtaking view of the fireworks, personal space without kids running rampant over us, and more time to hang out with friends.
So, this is my quick ode to timeliness when it comes to performances. Fireworks may not be the same as a concert or a night at the ballet, but the principle stands true. Note: Ticketed events with pre-assigned seating do not necessarily apply, just make sure you show up with enough time to find your seat for those events. But for general admission and free events - the earlier, the better!
Whether it's waiting in line for student rush tickets (or free tickets like Shakespeare in the Park - can't wait to see it this year!) or heading to a free concert, it's best to show up early. Work and other schedules obviously impede this from time to time, but the best way to ensure a ticket or a good spot is simply to take the time to come early. It's best to go with some friends and some snacks, and maybe even a game or a blanket. But please, be observant of bathroom rules (sometimes you will not be allowed to leave the line/area so consider your liquid intake!) and line etiquette (don't save spots for ten friends that are going to show up minutes before the line moves, it's RUDE!).
The general rule for showing up early and getting guaranteed tickets/good seats varies by event. On Broadway, it depends on how popular the show is - I used to show up at 5am for the Spring Awakening line, and the box office didn't open until 10am. For Chicago, however, I just walked in any time of the day (still a great show, but it's been around longer). And for free concerts, if you want to be in the front row show up a few hours early, but if you want a decent view, you're generally safe with an hour or so before the event. And for Shakespeare in the Park, be sure to plan ahead - last year, my roommate went at 4am in order to ensure tickets, and on our way home from the West Side last night a little past midnight there were already people lined up (though we're hoping this isn't for every show - Al Pacino is great and all, but I have no desire to sleep out in Central Park).
So arrive early, get your tickets or great seats, and enjoy your shows this summer! And be sure to bring some paper and pens if your friends are easily bored - consider playing the name game, where you write the name of a famous person and put it on your neighbor's forehead... everyone asks yes and no questions until everyone guesses correctly (like in Inglourious Basterds). We played this last night, and it was a huge hit, and the time until the fireworks passed super quickly.
So, this is my quick ode to timeliness when it comes to performances. Fireworks may not be the same as a concert or a night at the ballet, but the principle stands true. Note: Ticketed events with pre-assigned seating do not necessarily apply, just make sure you show up with enough time to find your seat for those events. But for general admission and free events - the earlier, the better!
Whether it's waiting in line for student rush tickets (or free tickets like Shakespeare in the Park - can't wait to see it this year!) or heading to a free concert, it's best to show up early. Work and other schedules obviously impede this from time to time, but the best way to ensure a ticket or a good spot is simply to take the time to come early. It's best to go with some friends and some snacks, and maybe even a game or a blanket. But please, be observant of bathroom rules (sometimes you will not be allowed to leave the line/area so consider your liquid intake!) and line etiquette (don't save spots for ten friends that are going to show up minutes before the line moves, it's RUDE!).
The general rule for showing up early and getting guaranteed tickets/good seats varies by event. On Broadway, it depends on how popular the show is - I used to show up at 5am for the Spring Awakening line, and the box office didn't open until 10am. For Chicago, however, I just walked in any time of the day (still a great show, but it's been around longer). And for free concerts, if you want to be in the front row show up a few hours early, but if you want a decent view, you're generally safe with an hour or so before the event. And for Shakespeare in the Park, be sure to plan ahead - last year, my roommate went at 4am in order to ensure tickets, and on our way home from the West Side last night a little past midnight there were already people lined up (though we're hoping this isn't for every show - Al Pacino is great and all, but I have no desire to sleep out in Central Park).
So arrive early, get your tickets or great seats, and enjoy your shows this summer! And be sure to bring some paper and pens if your friends are easily bored - consider playing the name game, where you write the name of a famous person and put it on your neighbor's forehead... everyone asks yes and no questions until everyone guesses correctly (like in Inglourious Basterds). We played this last night, and it was a huge hit, and the time until the fireworks passed super quickly.
Friday, June 18, 2010
Richard Move's Latest Movie
I first heard about Richard Move a year or two ago in a dance history course while studying the history of Modern dance in America. Move impersonates the famous Martha Graham from time to time, and in the video I saw of him, he was working with famous post-modern dancer and choreographer Yvonne Rainer. This video may not make sense to someone that isn't familiar with the differences between Graham and Rainer, but anyone studying modern and post-modern dance is sure to get a huge thrill from this video.
Move does not just impersonate Graham for a career, however. In addition to being insanely humorous, he is also a film maker. His latest film is entitled BloodWork - The Ana Mendieta Story. The film tells the sensational story of Mendieta, who died after falling naked out of her apartment window, thirty four flights up. She was an artist prior to her death, and the story certainly sounds scandalous and worth a view.
To see the film, you will have to head to libraries and museums rather than your local theater. The film will be at NYU's Fales Library from August 1 to October 8. It will also be shown at MoMA's PS1 extension in Long Island City from May 7 to October 18. Whether or not you're interested in this particular film, PS1 is supposed to be extremely experimental and interesting - it's only $5 for students to get in, and is accessible via subway. I'm not sure I'll make it to this movie - it's not entirely my cup of tea - but anything by Move is sure to be interesting at the very least, so maybe I'll end up seeing it. If not, if anyone does see it: let me know how it is!
Move does not just impersonate Graham for a career, however. In addition to being insanely humorous, he is also a film maker. His latest film is entitled BloodWork - The Ana Mendieta Story. The film tells the sensational story of Mendieta, who died after falling naked out of her apartment window, thirty four flights up. She was an artist prior to her death, and the story certainly sounds scandalous and worth a view.
To see the film, you will have to head to libraries and museums rather than your local theater. The film will be at NYU's Fales Library from August 1 to October 8. It will also be shown at MoMA's PS1 extension in Long Island City from May 7 to October 18. Whether or not you're interested in this particular film, PS1 is supposed to be extremely experimental and interesting - it's only $5 for students to get in, and is accessible via subway. I'm not sure I'll make it to this movie - it's not entirely my cup of tea - but anything by Move is sure to be interesting at the very least, so maybe I'll end up seeing it. If not, if anyone does see it: let me know how it is!
Sunday, June 13, 2010
New York City Ballet: Architecture of Dance
Ballet has the stigma of being old, dry, and unexciting - I remember my family griping about "serious ballets" before coming to one of my numerous dance recitals growing up, and even now it's often tough to get a non-dancer to come with me to see a ballet performance. This stigma is extremely unfortunate, however, because the work being done in the ballet world right now is extraordinary and anything but old.
New York City Ballet is one of the major ballet companies based in NYC, and was created by the ballet master George Balanchine. The company performs his legendary works with great frequency (one of his works will most often close a show), but the company is anything but a stale shrine to this artistic genius. While they keep alive the spirit and original choreography of Balanchine, the current Ballet Master and Artistic Director (Peter Martins) has also kept the company fresh and exciting.
This current season, showing at the David H. Koch theater in Lincoln Center from May 2 to June 27, is titled Architecture of Dance. In addition to showing the standard Balanchine works and a mix of old choreography created for the company, seven new ballets have been commissioned. The choreographers worked with an architect, the Spanish-born Santiago Calatrava to create the scenery for the stage. It is rare to have such collaboration with other artists for a ballet performance, and this type of interaction between artists shows just how innovative NYCB is attempting to be.
In the performance I saw last night, I saw an older work by Christopher Wheeldon, a premiere by Mauro Bigonzetti, and a Balanchine piece set to music by George Gershwin.
Wheeldon's piece, "After the Rain," was a ballet in two short acts. The second act in particular, featuring Wendy Whelan and Craig Hall, was breathtaking. Whelan was ethereal and beautiful, and Hall, who I had never seen before, was simultaneously strong and elegant. Using simple costumes and background scenery, this piece was an excellent example of Wheeldon's contemporary style.
The Architecture of Dance piece in last night's bill (Bigonzetti's "Luce Nascosta") was not quite what I anticipated. I had expected a more overt use of architecture, but this piece instead used a simple moving decoration overhead and an innovative use of lighting (square spotlights, gobo designs flooding the stage, and so on). Architecture aside, this piece was phenomenal. The costumes were dark but worked well with the mood, and the movement was individualized and unique. The repetition of certain themes pulled the piece together well, and it was so powerful that at times I was even close to tears! It is very much in the realm of contemporary ballet, and I highly suggest catching this piece before the season ends.
The last piece was a standard Balanchine fare, "Who Cares?" It was well done, especially showing off the talents of now-famous Tiler Peck and a rhythmically stellar Robert Fairchild. It is from Balanchine's more Broadway-influenced period, but full of legitimate choreography and funny narratives to keep you entertained.
I plan on going again soon to see at least one more of the newly commissioned ballets - I'm particularly looking forward to the pieces by Peter Martins, Christopher Wheeldon, and Alexei Ratmansky. Lucky for me, this is financially possible - normal ballet tickets cost big bucks, but students can rush the show for a mere $12!
To get these cheap tickets, go to the box office in the David H. Koch theater an hour before curtain with your valid student ID. You can pay with cash or credit card, and then enjoy the West Side or simply sit by the fountain until the curtain goes up. Be sure to get there at least ten minutes prior to curtain in order to get seated, and consider bringing opera glasses if you get seated too far up. Last night I got to sit in the Second Ring and didn't have a bad view, but seat availability for rush tickets changes from night to night. And a word to the wise - the gelato in Lincoln Center is the perfect refreshment right before entering the theater, just make sure you finish it before walking in!
New York City Ballet is one of the major ballet companies based in NYC, and was created by the ballet master George Balanchine. The company performs his legendary works with great frequency (one of his works will most often close a show), but the company is anything but a stale shrine to this artistic genius. While they keep alive the spirit and original choreography of Balanchine, the current Ballet Master and Artistic Director (Peter Martins) has also kept the company fresh and exciting.
This current season, showing at the David H. Koch theater in Lincoln Center from May 2 to June 27, is titled Architecture of Dance. In addition to showing the standard Balanchine works and a mix of old choreography created for the company, seven new ballets have been commissioned. The choreographers worked with an architect, the Spanish-born Santiago Calatrava to create the scenery for the stage. It is rare to have such collaboration with other artists for a ballet performance, and this type of interaction between artists shows just how innovative NYCB is attempting to be.
In the performance I saw last night, I saw an older work by Christopher Wheeldon, a premiere by Mauro Bigonzetti, and a Balanchine piece set to music by George Gershwin.
Wheeldon's piece, "After the Rain," was a ballet in two short acts. The second act in particular, featuring Wendy Whelan and Craig Hall, was breathtaking. Whelan was ethereal and beautiful, and Hall, who I had never seen before, was simultaneously strong and elegant. Using simple costumes and background scenery, this piece was an excellent example of Wheeldon's contemporary style.
The Architecture of Dance piece in last night's bill (Bigonzetti's "Luce Nascosta") was not quite what I anticipated. I had expected a more overt use of architecture, but this piece instead used a simple moving decoration overhead and an innovative use of lighting (square spotlights, gobo designs flooding the stage, and so on). Architecture aside, this piece was phenomenal. The costumes were dark but worked well with the mood, and the movement was individualized and unique. The repetition of certain themes pulled the piece together well, and it was so powerful that at times I was even close to tears! It is very much in the realm of contemporary ballet, and I highly suggest catching this piece before the season ends.
The last piece was a standard Balanchine fare, "Who Cares?" It was well done, especially showing off the talents of now-famous Tiler Peck and a rhythmically stellar Robert Fairchild. It is from Balanchine's more Broadway-influenced period, but full of legitimate choreography and funny narratives to keep you entertained.
I plan on going again soon to see at least one more of the newly commissioned ballets - I'm particularly looking forward to the pieces by Peter Martins, Christopher Wheeldon, and Alexei Ratmansky. Lucky for me, this is financially possible - normal ballet tickets cost big bucks, but students can rush the show for a mere $12!
To get these cheap tickets, go to the box office in the David H. Koch theater an hour before curtain with your valid student ID. You can pay with cash or credit card, and then enjoy the West Side or simply sit by the fountain until the curtain goes up. Be sure to get there at least ten minutes prior to curtain in order to get seated, and consider bringing opera glasses if you get seated too far up. Last night I got to sit in the Second Ring and didn't have a bad view, but seat availability for rush tickets changes from night to night. And a word to the wise - the gelato in Lincoln Center is the perfect refreshment right before entering the theater, just make sure you finish it before walking in!
Friday, June 11, 2010
New York Public Library for the Performing Arts
My favorite library in NYC is the New York Public Library for the Performing Arts, no contest. I was there today picking up an obscure dance book for some summer reading (fun, right?), and was reminded of just how great this place is. Not only does it have the most extensive library of dance books, periodicals, photos, and videos, but it also celebrates the arts in an important way. This library is not your standard collection of resources - it contains information on all types of performance art, and also has installations and events to celebrate the artists found within the vast collections of books and other resources in this library.
When you enter from the Lincoln Center Plaza entrance (which is almost completely done with construction, and looks GORGEOUS, by the way), straight ahead you will see a room that is home to changing displays. I have seen a display of Cunningham costumes, a musical celebration, and many other exhibits here. Currently, it is under construction, but it's always worth poking a head in to see what is being showcased - you might learn something, and there will certainly be something to look at or listen to.
If you enter from the Amsterdam Avenue entrance across from La Guardia High School, you'll walk in and see another small exhibition center to your right and a theater to your left. Two years ago, one of my teachers curated an event on the Dance Theatre of Harlem. In the room to the right we got to see video of past performances, examples of costumes and documents, and posters of the dancers both past and present. As part of this exhibit, I also attended a panel discussion in the auditorium across the hall and got to listen to Arthur Mitchell, one of the creators of the Dance Theatre of Harlem, talk about his experience in the dance world. Obviously, the exhibit has since changed - they change every couple of weeks, and the latest exhibits can be found here.
As if these exhibits weren't enough, there are also performances constantly happening at this library. Weekly concerts, movie showings, and speakers are all common events. And in addition to these being educational and truly well-done events - they're FREE!! I've always loved libraries, but one complete with performances and exhibits really takes the cake.
So head over to the Performance Arts library, located at 40 Lincoln Plaza (65th Street, by Broadway and Amsterdam Avenues) and check out the exhibits, performances, and books. And if there's no upcoming events that pique your interest? Consider going into the research archives and watching a historic performance. I've spent entire days there watching their footage of William Forsythe's choreography - it's not the same as seeing it live, but at least it's free and accessible!
When you enter from the Lincoln Center Plaza entrance (which is almost completely done with construction, and looks GORGEOUS, by the way), straight ahead you will see a room that is home to changing displays. I have seen a display of Cunningham costumes, a musical celebration, and many other exhibits here. Currently, it is under construction, but it's always worth poking a head in to see what is being showcased - you might learn something, and there will certainly be something to look at or listen to.
If you enter from the Amsterdam Avenue entrance across from La Guardia High School, you'll walk in and see another small exhibition center to your right and a theater to your left. Two years ago, one of my teachers curated an event on the Dance Theatre of Harlem. In the room to the right we got to see video of past performances, examples of costumes and documents, and posters of the dancers both past and present. As part of this exhibit, I also attended a panel discussion in the auditorium across the hall and got to listen to Arthur Mitchell, one of the creators of the Dance Theatre of Harlem, talk about his experience in the dance world. Obviously, the exhibit has since changed - they change every couple of weeks, and the latest exhibits can be found here.
As if these exhibits weren't enough, there are also performances constantly happening at this library. Weekly concerts, movie showings, and speakers are all common events. And in addition to these being educational and truly well-done events - they're FREE!! I've always loved libraries, but one complete with performances and exhibits really takes the cake.
So head over to the Performance Arts library, located at 40 Lincoln Plaza (65th Street, by Broadway and Amsterdam Avenues) and check out the exhibits, performances, and books. And if there's no upcoming events that pique your interest? Consider going into the research archives and watching a historic performance. I've spent entire days there watching their footage of William Forsythe's choreography - it's not the same as seeing it live, but at least it's free and accessible!
Sunday, June 6, 2010
Battery Park
In an attempt to finance my admission to real performances, for the past year I have been working at the Statue of Liberty (yes, it's both cool and terrible at the same time). While I'm still waiting on my paycheck so I can see a real performance and write about that, I do have some exciting free things for you to check out.
In order to get to Liberty Island, I have to board the ferry in Battery Park. I can't attest to what goes on all day long in the park, since I refuse to go there on my off days, but I can tell you that after 5 or 6 p.m. (when we get off the last boat from the island), there's always something going on. On any given day that doesn't involve storms, there are people waiting to sell you handbags, draw you a picture, or pass out Obama condoms. Additionally, there are usually some musicians playing tin drums, big guys holding snakes that you can take pictures with (although this makes me scream and run away - no big deal), and the occasional breakdancing show.
Particularly over the summer, there's always a crowd in Battery Park. My favorite part of these festivities is certainly the breakdancing - although the shows don't often last long and they aren't the best shows I've ever seen, it's worth stopping and clapping for a few minutes. Usually when I get off the boat (by Castle Clinton in the park, which is closer to the 6 train rather than the South Ferry subway station) there is a group in red performing. They bust out flips, yell until you clap, and although sometimes disorganized are at least good for a laugh.
This place isn't so exciting over the winter (although once it's snowy and there are no performers left you are free to make epic snowmen) - but in the summer, there's a lot going on. In addition to these informal street performers, Battery Park also holds some concerts and other events. This Saturday there was a science exhibit, and last summer there was a Rilo Kiley concert (that I had to miss!), among others. I've even seen the Paul Taylor II company perform for free on a makeshift stage in the park.
If you don't want to chance it and head down to the park to enjoy some rays and the random entertainment, you can find schedules for the larger events on the Battery Conservancy website. Different organizations use the space, and a wide variety of things go on there. The best part? It's free!!
In order to get to Liberty Island, I have to board the ferry in Battery Park. I can't attest to what goes on all day long in the park, since I refuse to go there on my off days, but I can tell you that after 5 or 6 p.m. (when we get off the last boat from the island), there's always something going on. On any given day that doesn't involve storms, there are people waiting to sell you handbags, draw you a picture, or pass out Obama condoms. Additionally, there are usually some musicians playing tin drums, big guys holding snakes that you can take pictures with (although this makes me scream and run away - no big deal), and the occasional breakdancing show.
Particularly over the summer, there's always a crowd in Battery Park. My favorite part of these festivities is certainly the breakdancing - although the shows don't often last long and they aren't the best shows I've ever seen, it's worth stopping and clapping for a few minutes. Usually when I get off the boat (by Castle Clinton in the park, which is closer to the 6 train rather than the South Ferry subway station) there is a group in red performing. They bust out flips, yell until you clap, and although sometimes disorganized are at least good for a laugh.
This place isn't so exciting over the winter (although once it's snowy and there are no performers left you are free to make epic snowmen) - but in the summer, there's a lot going on. In addition to these informal street performers, Battery Park also holds some concerts and other events. This Saturday there was a science exhibit, and last summer there was a Rilo Kiley concert (that I had to miss!), among others. I've even seen the Paul Taylor II company perform for free on a makeshift stage in the park.
If you don't want to chance it and head down to the park to enjoy some rays and the random entertainment, you can find schedules for the larger events on the Battery Conservancy website. Different organizations use the space, and a wide variety of things go on there. The best part? It's free!!
Tuesday, June 1, 2010
SummerStage
I don’t often splurge for cabs, but after a long afternoon of traveling back to the city from a short trip home to New Hampshire, I decided to switch up the subway for a cab back to my apartment. This is mostly because it was downpouring and I was trying to catch a dance class (no such luck – too late!), but the reason doesn’t really matter.
Long story short, the cab was zooming through Central Park back to the East Side and I saw groups of people heading towards a stage with large signs reading SummerStage.
Now, I have seen signs and seen the stage set up in years past, but I have never taken the time to figure out what SummerStage was all about – I just figured it would be expensive or impossible to get into. Since I was too late to go to my class, however, I had some time to look into the details about what this stage is all about.
SummerStage is put on by the City Parks Foundation, and it presents a variety of free and benefit concerts. On the list for their Mainstage in Central Park this summer is a wide variety of acts – musicians such as Public Enemy, The Specials, and other famous bands, as well as dance groups such as Alvin Ailey American Dance Theater and other performers such as poets, comedians, and actors. I’m really looking forward to trying to see St. Vincent on August 1 and Complexions Contemporary Ballet on August 10, but hopefully I can get into the action earlier than August – there are plenty of shows to choose from!
This event happens every year, and most shows are free – but for the shows that require payment, order ahead. It’s the first day of June, and some shows are already listed as sold out! The free shows just require getting there early enough to find a spot – I’ll try to go to a show soon and see just how early the crowds normally get there. Keep in mind, too, that there are shows happening not just on the Central Park Mainstage, but also throughout the rest of the city and its boroughs. Check out the website for the full listings, and I’ll keep you posted on what I see and find out about this SummerStage deal. But so far, it looks like an amazing program – keeping the arts alive and accessible to NYC residents is a great goal, and utilizing the beautiful parks of Manhattan and its boroughs is a unique way to see the performances. I, for one, can’t wait!
Long story short, the cab was zooming through Central Park back to the East Side and I saw groups of people heading towards a stage with large signs reading SummerStage.
Now, I have seen signs and seen the stage set up in years past, but I have never taken the time to figure out what SummerStage was all about – I just figured it would be expensive or impossible to get into. Since I was too late to go to my class, however, I had some time to look into the details about what this stage is all about.
SummerStage is put on by the City Parks Foundation, and it presents a variety of free and benefit concerts. On the list for their Mainstage in Central Park this summer is a wide variety of acts – musicians such as Public Enemy, The Specials, and other famous bands, as well as dance groups such as Alvin Ailey American Dance Theater and other performers such as poets, comedians, and actors. I’m really looking forward to trying to see St. Vincent on August 1 and Complexions Contemporary Ballet on August 10, but hopefully I can get into the action earlier than August – there are plenty of shows to choose from!
This event happens every year, and most shows are free – but for the shows that require payment, order ahead. It’s the first day of June, and some shows are already listed as sold out! The free shows just require getting there early enough to find a spot – I’ll try to go to a show soon and see just how early the crowds normally get there. Keep in mind, too, that there are shows happening not just on the Central Park Mainstage, but also throughout the rest of the city and its boroughs. Check out the website for the full listings, and I’ll keep you posted on what I see and find out about this SummerStage deal. But so far, it looks like an amazing program – keeping the arts alive and accessible to NYC residents is a great goal, and utilizing the beautiful parks of Manhattan and its boroughs is a unique way to see the performances. I, for one, can’t wait!
Friday, May 28, 2010
Subway Performers
New York City’s MTA has raised prices and made service cuts since my Freshman year in the city, but one thing it hasn’t cut is the arts. The subway system of Manhattan is a large and sometimes overwhelming beast, but at least it’s never dull.
As part of an initiative to keep the subway stations looking clean, interesting, and exciting, the MTA began the Music Under New York program. We’re not talking about the random homeless guys singing on the subway trains, or the great Mariachi band that frequents the N train. No, the MUNY program sponsors artists formally in the stations themselves, complete with signs and microphones. Artists must audition and attend orientation prior to performing for the NYC public.
One of my favorite performers is Alice Tan Ridley, who I normally see at the Herald Square station. She always attracts a crowd – this is actually her profession, and she is good at what she does. Ridley is well known not just for her soulful singing, but also for being the mother of Gabourey Sidibe, star of the recent movie Precious. She is adamant about not living off her daughter’s paycheck, however – so if you see her rocking out in the subway, feel free to throw a dollar or two her way.
So next time you’re looking for a show and don’t have money for a student priced ticket, just spend some extra time on your next $2.25 subway ride and find a show. There are almost always performances going on at the major stations (42nd Street, Herald Square, etc.) and a more detailed schedule can be found at the MUNY website – and let me know your favorite performer, I’m always looking for new shows!
As part of an initiative to keep the subway stations looking clean, interesting, and exciting, the MTA began the Music Under New York program. We’re not talking about the random homeless guys singing on the subway trains, or the great Mariachi band that frequents the N train. No, the MUNY program sponsors artists formally in the stations themselves, complete with signs and microphones. Artists must audition and attend orientation prior to performing for the NYC public.
One of my favorite performers is Alice Tan Ridley, who I normally see at the Herald Square station. She always attracts a crowd – this is actually her profession, and she is good at what she does. Ridley is well known not just for her soulful singing, but also for being the mother of Gabourey Sidibe, star of the recent movie Precious. She is adamant about not living off her daughter’s paycheck, however – so if you see her rocking out in the subway, feel free to throw a dollar or two her way.
So next time you’re looking for a show and don’t have money for a student priced ticket, just spend some extra time on your next $2.25 subway ride and find a show. There are almost always performances going on at the major stations (42nd Street, Herald Square, etc.) and a more detailed schedule can be found at the MUNY website – and let me know your favorite performer, I’m always looking for new shows!
Wednesday, May 12, 2010
Inbox Full?
As I was procrastinating on yet another final paper, I decided to check my email to see if I had any exciting messages. While I didn't have any messages from my professors canceling finals, I DID have a lot of emails: all about upcoming performances and arts opportunities!
As a dance major at my school, I get all the emails our department sends out - the latest company updates from around NYC, opportunities for discounted events, and most importantly, upcoming events. You don't have to be a part of a college dance department to get these updates, however. Almost every company, dancer, singer, show, and venue has their own email blast that you can sign up for.
So if you have some extra room in your mailbox for mass emails, consider signing up for the e-newsletters of your favorite performers and venues. I'm signed up for City Center, Alvin Ailey, and the Pointe Magazine newsletters in addition to my departmental emails... and probably a few others, too.
My time's up for finals procrastination, but I'll be sure to let you in on a few more email secrets later. For now, I leave you with this tip: Check out the City Center website, they offer a GREAT money saving program for students called Peer 2 Peer, which is when they email you with cheap ticket opportunities from time to time. More on that later, once my theses have been turned in to full-length papers!
As a dance major at my school, I get all the emails our department sends out - the latest company updates from around NYC, opportunities for discounted events, and most importantly, upcoming events. You don't have to be a part of a college dance department to get these updates, however. Almost every company, dancer, singer, show, and venue has their own email blast that you can sign up for.
So if you have some extra room in your mailbox for mass emails, consider signing up for the e-newsletters of your favorite performers and venues. I'm signed up for City Center, Alvin Ailey, and the Pointe Magazine newsletters in addition to my departmental emails... and probably a few others, too.
My time's up for finals procrastination, but I'll be sure to let you in on a few more email secrets later. For now, I leave you with this tip: Check out the City Center website, they offer a GREAT money saving program for students called Peer 2 Peer, which is when they email you with cheap ticket opportunities from time to time. More on that later, once my theses have been turned in to full-length papers!
Saturday, May 8, 2010
Spring Repertoire 2010
Each semester, the dance department at Marymount Manhattan College produces two shows. The first is a student-choreographed exhibition, and the second is choreographed by established dancers. In the Fall, our teachers choreograph, and in the Spring, we have outside artists come in.
This semester, the annual Spring Repertoire at MMC featured a work by the newly-appointed head of Alvin Ailey American Dance Theater, Robert Battle, as well as works by Lar Lubovitch, Kate Weare, Erick Hawkins, and Benoit-Swan Pouffer.
It was an eclectic show that ranged in style, from 1986 Lubovitch excerpt "Concerto Six Twenty-Two" to the several world premieres such as the hauntingly beautiful "Channels" by Battle and the edgy work "for all of us" that Pouffer set on the MMC Dance Company.
My personal favorite is tied with Pouffer's "for all of us" or Kate Weare's "Primavera." Both works were exciting and upbeat, with a lot of personality displayed by the individual dancers. in Pouffer's work, there was a distinctly contemporary movement vocabulary, and it was obvious that the students enjoyed the movement: which is always a pleasure to watch. Similarly, Weare's piece engaged the students in both group work and series of duets and solos, all of which were interactive and intensely physical and exciting to watch. The dancers at MMC have strong personalities, and they were definitely allowed to shine in these pieces.
It's always interesting to see student performances; I highly recommend it. Although they may not be perfect and as technically stunning as a night at Lincoln Center, you do get an opportunity to see the up and coming generation of artists. Shows produced at MMC, Juilliard, NYU and the like are of extraordinary quality - it's no middle school talent show. Seeing performances at my own school is particularly interesting, because I take class with most of the performers. It's a very different perspective to see your peers perform, but I walk away from almost every show in awe of the talent... and this semester was no different.
So next time you've got some free time, see if there are any student performances going around in the city. Not only is it cheaper than a normal performance (they often accept donations, have student rates, or are free), but it's also sure to be of interest to the college aged crowd. You know going in to it that it won't be a pitch out of left field - they are meant to educate the students performing through experience, so it must be something topical to our generation. Although I suggest first attending shows at your own school (it's a great way to see a whole new side of your peers!), branching out and visiting other schools is always a fun time to see something completely different, since each school in NYC has a very different style. Whether it's dance or theater, or even an art exhibition - check it out!
This semester, the annual Spring Repertoire at MMC featured a work by the newly-appointed head of Alvin Ailey American Dance Theater, Robert Battle, as well as works by Lar Lubovitch, Kate Weare, Erick Hawkins, and Benoit-Swan Pouffer.
It was an eclectic show that ranged in style, from 1986 Lubovitch excerpt "Concerto Six Twenty-Two" to the several world premieres such as the hauntingly beautiful "Channels" by Battle and the edgy work "for all of us" that Pouffer set on the MMC Dance Company.
My personal favorite is tied with Pouffer's "for all of us" or Kate Weare's "Primavera." Both works were exciting and upbeat, with a lot of personality displayed by the individual dancers. in Pouffer's work, there was a distinctly contemporary movement vocabulary, and it was obvious that the students enjoyed the movement: which is always a pleasure to watch. Similarly, Weare's piece engaged the students in both group work and series of duets and solos, all of which were interactive and intensely physical and exciting to watch. The dancers at MMC have strong personalities, and they were definitely allowed to shine in these pieces.
It's always interesting to see student performances; I highly recommend it. Although they may not be perfect and as technically stunning as a night at Lincoln Center, you do get an opportunity to see the up and coming generation of artists. Shows produced at MMC, Juilliard, NYU and the like are of extraordinary quality - it's no middle school talent show. Seeing performances at my own school is particularly interesting, because I take class with most of the performers. It's a very different perspective to see your peers perform, but I walk away from almost every show in awe of the talent... and this semester was no different.
So next time you've got some free time, see if there are any student performances going around in the city. Not only is it cheaper than a normal performance (they often accept donations, have student rates, or are free), but it's also sure to be of interest to the college aged crowd. You know going in to it that it won't be a pitch out of left field - they are meant to educate the students performing through experience, so it must be something topical to our generation. Although I suggest first attending shows at your own school (it's a great way to see a whole new side of your peers!), branching out and visiting other schools is always a fun time to see something completely different, since each school in NYC has a very different style. Whether it's dance or theater, or even an art exhibition - check it out!
Friday, May 7, 2010
Strawberry Fest!
Living in NYC, you never know what you'll encounter in the nearby streets: a movie shooting, a police investigation, or subway construction. There's always another alternative, however - a street fair.
Every year, my school shuts down 71st Street between 2nd and 3rd Avenues and holds a huge fair called Strawberry Fest. We have free food, a DJ, dancing, inflatable events, club tables, and a host of other activities. Although it is exclusively for MMC students, near the end we always open it up to our neighbors.
This is one of my favorite days of every year - although it was slightly marred this year by sitting (and getting dunked) in a freezing cold dunk tank. Other street fairs, such as the traveling festival with all the same markets and booths each weekend, are exciting - but ours is the best. I'm not sure that other schools do anything like this... New School is home to a lot of protests and NYU has a lot of impromptu art projects happening on its nearby streets, but who else gets a permit and shuts down traffic for an entire street? If you find any others, let me know - I'd definitely have to check that out.
Every year, my school shuts down 71st Street between 2nd and 3rd Avenues and holds a huge fair called Strawberry Fest. We have free food, a DJ, dancing, inflatable events, club tables, and a host of other activities. Although it is exclusively for MMC students, near the end we always open it up to our neighbors.
This is one of my favorite days of every year - although it was slightly marred this year by sitting (and getting dunked) in a freezing cold dunk tank. Other street fairs, such as the traveling festival with all the same markets and booths each weekend, are exciting - but ours is the best. I'm not sure that other schools do anything like this... New School is home to a lot of protests and NYU has a lot of impromptu art projects happening on its nearby streets, but who else gets a permit and shuts down traffic for an entire street? If you find any others, let me know - I'd definitely have to check that out.
Tuesday, May 4, 2010
Nikolais Reconstruction at MMC
Exciting news in the arts world - in celebration of Alwin Nikolais' would-be centennial, there are going to be several Nikolais-inspired dance events going on around the city this year.
At my school, Marymount Manhattan College, our Dance Department was just awarded an NEA Grant to reconstruct one of his works!! The National Endowment for the Arts is providing money for us to hold a series of lectures on the topic of Alwin Nikolais in the Fall, and at the end of the Spring semester the MMC dancers will be partaking in a reconstruction of Nikolais' work Crucible.
As part of my studies, I get to assist with this - it's very exciting!
For other NYC students: be sure to be on the lookout for MMC's reconstruction, as well as other college performances. Colleges in NYC often have amazing arts programs, and the work presented is of professional quality. Whether it's reconstructing an old work such as this grant is allowing us to do, or working with up and coming choreographers, going to school performances is a great way to get acclimated to the arts. Tickets are cheaper than normal theater prices, and you may just glimpse the early performances of the next big thing!
At my school, Marymount Manhattan College, our Dance Department was just awarded an NEA Grant to reconstruct one of his works!! The National Endowment for the Arts is providing money for us to hold a series of lectures on the topic of Alwin Nikolais in the Fall, and at the end of the Spring semester the MMC dancers will be partaking in a reconstruction of Nikolais' work Crucible.
As part of my studies, I get to assist with this - it's very exciting!
For other NYC students: be sure to be on the lookout for MMC's reconstruction, as well as other college performances. Colleges in NYC often have amazing arts programs, and the work presented is of professional quality. Whether it's reconstructing an old work such as this grant is allowing us to do, or working with up and coming choreographers, going to school performances is a great way to get acclimated to the arts. Tickets are cheaper than normal theater prices, and you may just glimpse the early performances of the next big thing!
Monday, May 3, 2010
Bamboozle!
This past weekend, the annual Bamboozle event took place at the Meadowlands Sports Complex in New Jersey. These sorts of shows book a large amount of bands, spread them out on multiple stages, and let the games begin. It's a great way to see a lot of your favorite musicians at once - the tickets are a little expensive (for Bamboozle, it was roughly $50 per day), but likely less than you would pay to see each band individually.
Although it's a great opportunity to rock out all day long, come prepared! Your bands will probably only play the popular crowd-pleasers, so if you're looking for an intimate event where you hear the full repertoire of a band, this may not be the event for you. Additionally, crowds usually get very rowdy, so it's not always worth it to be stuck in a pit close to the stage - sometimes staying further away is more gratifying. This year, I found the crowd to be obnoxious and lacking in rhythm, but perhaps this varies by year and festival.
This year, I went to the second day, where Weezer headlined. As usual, they put on an amazing, entertaining show - complete with beach balls, a Lady GaGa impersonation, and general Weezer shenanigans and jokes.
The other bands of the day performed well, my favorite being the reunion performance by Piebald. Stuck on a smaller stage, this Massachusetts band rocked hard and got their entire audience dancing for every single song. They've broken up, but it's still worth looking into their discography: particularly their "We Are The Only Friends We Have" album.
So stay on the lookout for music festivals and events such as this. It's easy to get into New Jersey and other nearby locations where these are held - All Points West is normally held over the summer in Liberty State Park, NJ, although it is rumored to be canceled this year.
Plus, bands often play additional shows while they're in the area - MGMT played a show at Fordham the day before they performed at Bamboozle this year, and other bands will play at schools and open venues during these times as well. So even if you can't make it to the big show, you may be able to catch the bands somewhere else in or near the city. Check specific band websites for details, or for rock bands they are often listed on OhMyRockness.
Although it's a great opportunity to rock out all day long, come prepared! Your bands will probably only play the popular crowd-pleasers, so if you're looking for an intimate event where you hear the full repertoire of a band, this may not be the event for you. Additionally, crowds usually get very rowdy, so it's not always worth it to be stuck in a pit close to the stage - sometimes staying further away is more gratifying. This year, I found the crowd to be obnoxious and lacking in rhythm, but perhaps this varies by year and festival.
This year, I went to the second day, where Weezer headlined. As usual, they put on an amazing, entertaining show - complete with beach balls, a Lady GaGa impersonation, and general Weezer shenanigans and jokes.
The other bands of the day performed well, my favorite being the reunion performance by Piebald. Stuck on a smaller stage, this Massachusetts band rocked hard and got their entire audience dancing for every single song. They've broken up, but it's still worth looking into their discography: particularly their "We Are The Only Friends We Have" album.
So stay on the lookout for music festivals and events such as this. It's easy to get into New Jersey and other nearby locations where these are held - All Points West is normally held over the summer in Liberty State Park, NJ, although it is rumored to be canceled this year.
Plus, bands often play additional shows while they're in the area - MGMT played a show at Fordham the day before they performed at Bamboozle this year, and other bands will play at schools and open venues during these times as well. So even if you can't make it to the big show, you may be able to catch the bands somewhere else in or near the city. Check specific band websites for details, or for rock bands they are often listed on OhMyRockness.
Saturday, May 1, 2010
Alwin Nikolais 2010: From the Horse's Mouth
On April 30, 2010 at the Abrons Arts Center, there was a performance celebrating the life and work of famous modern choreographer and teacher Alwin Nikolais.
According to the program,
Overall, the night was intriguing to someone who has studied Nikolais technique for a year while in college - although those not familiar with his improvisational ideas and emphasis on space, time, motion, and shape may not understand some of the jokes or movement on stage.
Still, even those not familiar with Nikolais and his approach to dance were sure to have a few laughs. You did not need to know the importance of Murray Louis or the company history to appreciate many of the stories told. Several of the former (and still practicing) dancers were eccentric characters - especially Beverly Blossom, who made the audience erupt in laughter incessantly.
These non-traditional dance performances are a great treat - not everyone has the patience to sit through an evening-length ballet, but an event such as this often incorporates humor and movement that even a non-dancer can find amusing.
The piece also related directly back to the theater - the Abrons Arts Center was once under the direction of Nikolais, and many of the recollections were of learning and performing in the very space the audience was sitting in. It was a charming, old space. I had never been in the theater before, but it was full of character, comfortable, and seems to have a varied line-up set for the coming weeks.
To reach the Abrons Arts Center, take a bus or the F train to Delancey Street. It is a relatively short walk over to 466 Grand Street - and tickets for the events can either be bought online or at the door. Leave some spare time to get lost if you're not familiar with the non-gridded downtown streets: I myself ran a few minutes behind schedule after taking a quick detour down a wrong street!
According to the program,
"From The Horse's Mouth is structured so that only four people are on stage at one time. Sitting in a chair center stage, each performer tells a brief story relevant to their past or current involvement with dance, then performs his/her own movement phrase - first in place then traveling through space, sometimes improvising with another dancer. A chance element is introduced by picking a card from a box. The card suggests how to vary the phrase. These sections are juxtaposed with stage crossings with the performers appearing in full costume. Some costumes depict a favorite dance; others represent a costume they have always wanted to wear."
Overall, the night was intriguing to someone who has studied Nikolais technique for a year while in college - although those not familiar with his improvisational ideas and emphasis on space, time, motion, and shape may not understand some of the jokes or movement on stage.
Still, even those not familiar with Nikolais and his approach to dance were sure to have a few laughs. You did not need to know the importance of Murray Louis or the company history to appreciate many of the stories told. Several of the former (and still practicing) dancers were eccentric characters - especially Beverly Blossom, who made the audience erupt in laughter incessantly.
These non-traditional dance performances are a great treat - not everyone has the patience to sit through an evening-length ballet, but an event such as this often incorporates humor and movement that even a non-dancer can find amusing.
The piece also related directly back to the theater - the Abrons Arts Center was once under the direction of Nikolais, and many of the recollections were of learning and performing in the very space the audience was sitting in. It was a charming, old space. I had never been in the theater before, but it was full of character, comfortable, and seems to have a varied line-up set for the coming weeks.
To reach the Abrons Arts Center, take a bus or the F train to Delancey Street. It is a relatively short walk over to 466 Grand Street - and tickets for the events can either be bought online or at the door. Leave some spare time to get lost if you're not familiar with the non-gridded downtown streets: I myself ran a few minutes behind schedule after taking a quick detour down a wrong street!
Welcome!
Hello, and welcome to my blog on arts and entertainment in NYC!
This was initially created to document my research for my upcoming writing in Campus Clipper, so it will focus on arts and entertainment from a student's perspective. I plan on briefly reviewing shows I've seen, mentioning cheap opportunities, and generally documenting the arts scene in NYC. I'll try not to get too theoretical in terms of dance analysis, since this is intended to be a fun guide. If you have any comments of your own, suggestions, or requests on something to cover - leave a message!
As an active dancer, I will likely be focusing on and discussing a lot about dance. I'll also be doing research on theater, visual arts, and other performance viewing opportunities. Additionally, I frequent concerts throughout the city when I have the time, so hopefully there will be a wide variety of ideas for your entertainment in NYC!
This was initially created to document my research for my upcoming writing in Campus Clipper, so it will focus on arts and entertainment from a student's perspective. I plan on briefly reviewing shows I've seen, mentioning cheap opportunities, and generally documenting the arts scene in NYC. I'll try not to get too theoretical in terms of dance analysis, since this is intended to be a fun guide. If you have any comments of your own, suggestions, or requests on something to cover - leave a message!
As an active dancer, I will likely be focusing on and discussing a lot about dance. I'll also be doing research on theater, visual arts, and other performance viewing opportunities. Additionally, I frequent concerts throughout the city when I have the time, so hopefully there will be a wide variety of ideas for your entertainment in NYC!
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